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・ Isabel Aretz
・ Isabel Ashdown
・ Isabel Atkinson
・ Isabel Bacardit
・ Isabel Barreto
・ Isabel Barrows
・ Isabel Bassett
・ Isabel Bassett Wasson
・ Isabel Baumann
・ Isabel Bawlitza
・ Isabel Bayrakdarian
・ Isabel Behncke
・ Isabel Benham
・ Isabel Bevier
・ Isabel Bigley
Isabel Bishop
・ Isabel Bishop (EP)
・ Isabel Blaesi
・ Isabel Blanco
・ Isabel Bloom
・ Isabel Bolton
・ Isabel Branson Cartwright
・ Isabel Bras Williamson
・ Isabel Briggs Myers
・ Isabel Brown
・ Isabel Bruce
・ Isabel Burton
・ Isabel Button
・ Isabel C. Clarke
・ Isabel Carrasco


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Isabel Bishop : ウィキペディア英語版
Isabel Bishop

Isabel Bishop (March 3, 1902 – February 19, 1988) was an American Painter and graphic artist who depicted urban scenes of Union Square, New York, from the 1930s to the 1970s. She is best known for her depiction of American women and as a leading member of the Fourteenth Street School of artists.
==Early life and education==
Bishop was born in Cincinnati, Ohio, and brought up in Detroit, Michigan, before moving to New York City at the age of 16 to study illustration at the New York School of Applied Design for Women. Bishop's parents were descended from old, wealthy and highly educated East Coast mercantile families.〔Todd, Eileen. The "New Woman": Painting and Gender Politics on Fourteenth Street. p56〕 Her Father was a scholar of Greek and Latin, and her mother was an aspiring writer as well as an early activist for women's suffrage.
The family moved to Detroit as a result of increased economic pressure and to find work. At age twelve, Bishop began her art education in a Saturday morning life drawing class at the John Wicker Art School in Detroit.〔Todd, Eileen. The "New Woman": Painting and Gender Politics on Fourteenth Street. p57〕 Upon graduating High School, Bishop moved to New York to pursue a career as a graphic artist.〔Todd, Eileen. The "New Woman": Painting and Gender Politics on Fourteenth Street.p 57〕
After two years there she shifted from illustration to painting, and attended the Art Students League for four years until 1924. It was there that she studied with Guy Pène du Bois and with Kenneth Hayes Miller, from whom she adapted a technique which owed much to baroque Flemish painting.〔Todd, Eileen. The "New Woman": Painting and Gender Politics on Fourteenth Street. p 57〕 In addition, she learned from other early modernists including Max Weber and Robert Henri. During the early 1920s she also studied and painted in Woodstock, New York.

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